Thundering threads: highlights from Art Basel Miami Beach’s Meridians sector, which showcases large-scale works

**Thundering Threads: Transformation and Impact in Art Basel Miami Beach’s 2024 Meridians Sector**

Every December, Art Basel Miami Beach serves as a magnetic hub for creativity, where the boundaries of art are tested and reimagined. Among its many celebrated sectors, the **Meridians Sector** stands out as a unique stage for large-scale, transformative artworks. In its fifth year, the 2024 Meridians Sector, curated by renowned curator **Yasmil Raymond**, elevated its reputation as a space not just for grandeur, but for bold storytelling and profound social commentary.

### **Meridians as an Artistic Agora**

Yasmil Raymond, a respected force in the art world with a résumé that includes roles at MoMA and the Walker Art Center, brought a fresh perspective to the Meridians Sector. Describing it as an “agora,” a communal space for open dialogue, Raymond’s curation highlighted art’s ability to bridge differences, spark conversations, and reflect shared human experiences. Currently the rector of Städelschule in Frankfurt, Raymond emphasized works that intertwine beauty with substance, choosing artists who stand at the peak of their creative powers and address the urgent issues of our time.

“Meridians is a space for bold ideas,” Raymond explained. “These pieces aren’t just impressive in size; they’re monumental in meaning—addressing history, migration, nature, and identity.”

This year’s selection offered viewers far more than visual spectacle; it invited them to engage with narratives of transformation and resilience through a wide array of mediums.

### **Stories Woven in Scale and Depth**

Among the standout pieces, each explored the idea of transformation on a deeply personal or collective level:

– **Lee ShinJa’s “Dawn”**: Nonagenarian artist Lee ShinJa turned traditional fiber arts into poignant storytelling. Through intricately woven tapestries, she revisited her survival of both WWII and the Korean War. Raymond described her as the “Anni Albers of her time,” noting her profound impact on art and education as the founder of the fiber arts department at Duksung Women’s University.

– **Antonis Donef’s “Untitled”**: Spanning 12 meters yet maintaining exquisite intimacy, Donef’s ink drawing, composed over six years, layered histories culled from encyclopedias and written in multiple languages. Raymond likened it to a “large miniature,” a paradox that encapsulated its intellectual and emotional depth.

– **Alice Aycock’s “Goya”**: Aycock borrowed inspiration from Francisco Goya’s turbulent etchings to create her monumental, tornado-like sculpture. Formed from metal, the piece conveyed dynamic chaos, blending architectural vision with extraordinary craftsmanship.

– **Yuichi Hirako’s “Seeding”**: This solid wood sculpture intricately balanced themes of ecological consciousness, climate change, and family legacies with a haunting yet tender aesthetic. “Seeding” was both grounded and otherworldly, urging viewers to reflect on humanity’s place within nature.

– **Roberto Huarcaya’s “Amazogramas”**: Huarcaya’s work was a gripping ode to the Amazon. Using photosensitive paper exposed during lightning storms, his technique captured the raw, untamed beauty of the rainforest—a visceral reminder of nature’s unparalleled power and fragility.

– **Chiachio & Giannone’s “La Famille dans la Joyeuse Verdure”**: Woven tapestry met lush, familial storytelling in this South American-rooted piece. Its alcove-like space invited intimacy amid its sprawling narrative, juxtaposing grandeur with detailed tenderness.

– **Rachel Feinstein’s “Metal Storm”**: Inspired by Hans Baldung Grien’s 16th-century etchings, Feinstein’s sculpture of three witches reclaimed narratives of persecution, reimagining such figures as symbols of strength and agency. “This is a monument to women’s power,” Raymond noted, encapsulating its defiance and celebration of female identity.

### **Art as Catalyst for Social Reflection**

The Meridians Sector this year wasn’t just about witnessing large-scale installations—it was about feeling their weight, both physically and metaphorically. Each piece served as a conversation starter, delving into themes like resilience, identity, migration, and humanity’s evolving relationship with nature.

From the historical tapestry artistry of Lee ShinJa to the environmental introspection evoked by Huarcaya, these works challenged viewers to move beyond passive admiration. They demanded reflection and emotional engagement, proving that art’s power lies in its ability to provoke, connect, and inspire social change.

As Yasmil Raymond aptly put it, “Art here doesn’t just hang on walls. It moves us, challenges us, and plants seeds for change.”

Art Basel Miami Beach’s 2024 Meridians Sector reaffirmed the transformative potential of art—not just as a creative expression, but as a mirror of humanity’s capacity for growth, dialogue, and resilience. Whether you attended as an art connoisseur or a casual observer, the experience was a powerful reminder of how art shapes, and is shaped by, the world around us.

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