Mövenpick to Debut in the UK with Hampshire Countryside Resort

UK: Accor has signed an agreement with development and investment firm Select Group to introduce the Mövenpick brand to the UK, with the opening scheduled for late 2027.

The hotel will be located in Hampshire, occupying the former Old Thorns Estate & Resort, a countryside property extending across more than 300 acres. The site will undergo a comprehensive renovation to reposition it as a premium resort destination under the Mövenpick flag.

Upon completion, the 194-room hotel will feature a championship golf course, 2,500 square metres of conference and meeting space, and a ballroom with capacity for over 500 guests. Additional amenities will include four restaurants, a wellness centre with a new spa, and extensive leisure facilities.

Graham Dodd, vice president of development for UK and Ireland across Accor’s premium, midscale and economy brands, said the signing marks a significant step in expanding the group’s premium portfolio in the UK. He added that Mövenpick’s reputation for culinary excellence and environmental responsibility aligns well with guest expectations in the market.

Mövenpick Hampshire – Old Thorns will join Accor’s portfolio of more than 200 hotels across the United Kingdom and Ireland, contributing to the group’s global estate of over 5,700 properties worldwide.

Israr Liaqat, group CEO of Select Group, said the estate’s heritage and scale provide a strong foundation for the brand’s UK debut. He noted that the partnership with Accor aims to transform the property into a leading resort destination, combining its historic character with Mövenpick’s Swiss-inspired hospitality.

Headquartered in Dubai, Select Group has delivered more than 20 million square feet of residential, commercial, hospitality and retail developments, with a further 6,000 units currently in the development pipeline.

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The evening unfolded like a scene lifted from one of Faena’s own

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The evening unfolded like a scene lifted from one of Faena’s own dreamlike productions. Grace Faena welcomed Vogue100 beneath the watchful presence of Damien Hirst’s monumental, gold-toned woolly mammoth skeleton, sealed inside its glass enclosure. As daylight softened over Mid Beach, guests drifted onto the palm-lined lawn of the Faena Hotel Miami Beach—the crown jewel of the Faena District and, as founder Alan Faena often describes it, “a total work of art.” The gathering served as a final toast to Miami Art Basel, blending sunset cocktails with an elegant dinner in the open air. With glasses of Ruinart raised high, attendees celebrated Grace Faena—designer and creative force behind the hotel’s Big Bang Boutique—as she greeted Vogue100 members and thanked them for joining her “at home on such a meaningful weekend.” The mammoth’s illuminated bones shimmered behind her as she appeared in a flowing halter and skirt rendered in molten gold, a striking ensemble of her own creation that reflected the warm glow of the evening. Stretching across the garden, a single elongated dining table anchored the scene. Christofle china edged in gold, polished silverware, and ornate candelabras created a luminous tablescape, softened by compact arrangements of roses tucked into silver julep cups. Above, strands of café lights threaded through the palms, transforming the tropical lawn into an intimate, candlelit salon. In the distance, Es Devlin’s Library of Us—a towering, rotating triangular structure filled with thousands of books—caught the light along Faena Beach. Installed for Art Basel and commissioned by Faena Art, the work functioned both as an outdoor reading space and a symbolic lighthouse for the district, underscoring the hotel’s commitment to cultural life beyond its walls. As dinner began, servers circulated with vibrant plates of pink grapefruit and orange salad coated in a glossy citrus vinaigrette, followed by yellowfin tuna tartare and empanadas emerging hot from the wood oven. From the copper grill came a generous parrillada: skirt steak, branzino, chicken, and chorizo, paired with bowls of chimichurri, criolla sauce, and garlic aioli. Champagne flowed freely as conversations meandered from standout artworks to fashion highlights and fair favorites. Grace Faena’s gold gown shimmered with every movement as she spoke with Daniela Botero Saunders, who wore a gleaming silver look of her own. Together, they reflected on Miami’s creative spirit and the reasons they chose to build their lives and raise their families in the city, while Saunders’s husband, Brent, nodded along. The mood grew even warmer when Faena’s mother, Monica Goldsmith, stopped by the table to greet guests—her presence lending the evening the intimacy of a family gathering rather than a hotel affair. Alan Faena soon joined the scene, impeccably dressed in cream silk and his trademark white hat. He spoke about the hotel’s art-driven philosophy and Miami’s role as a crossroads of cultures. Creating meaningful experiences for the city and its people, he said, is at the heart of Faena’s mission. “It’s a blessing to create emotions and reactions,” he reflected, adding that while he once thought of Miami as transient, the city ultimately gave him a home, a family, and—gesturing toward Grace—“a superstar.” Further proof of the night’s magnetic pull came with the arrival of DJ and producer Diplo, who stopped in to greet the hostess and quickly struck up a connection with fashion designer Jennifer “JJ” Lee. He even tried on her hand-embroidered crimson sequin Esque/By Dragon blazer, while Lee stood beside him in a red fringe gown, clearly pleased with the pairing. As the evening drew to a close, Grace Faena took the floor once more, expressing her gratitude to Vogue100. Curious about the group that had gathered around her table, she passed the microphone from guest to guest, inviting stories and reflections. What followed were shared memories of friendships formed, fashion moments cherished, and front-row experiences that spanned years. By the final clink of glasses, Vogue100 had become part of Faena’s ever-expanding cultural universe—suspended somewhere between Damien Hirst’s glowing mammoth in the garden and Es Devlin’s Library of Us slowly turning by the sea. It was a poetic and resonant finale to Miami Art Basel.

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