What Sold at Art Basel Miami Beach 2024

### Art Basel Miami Beach 2024: Innovation and Inclusivity Take Center Stage

Art Basel Miami Beach 2024 lit up the global art scene from December 4–8 at the Miami Beach Convention Center, delivering a breathtaking cultural experience despite a year of uncertainties for the art market. Welcoming over 75,000 visitors during Miami Art Week, the event reaffirmed its reputation as the ultimate destination for modern and contemporary art enthusiasts. With a renewed focus on diversity, innovation, and artistic discovery, this year’s fair stood out—largely due to the pioneering vision of its newly appointed director, Bridget Finn.

#### A Global Art Extravaganza

This year’s fair brought together 286 galleries from 28 countries—a slight increase from 2023—solidifying its position as a hub of creativity and commerce for the international art community. Remarkably, 34 galleries participated as first-time exhibitors, the largest wave of newcomers in over a decade. A significant portion of this fresh energy came from South and Central America, as 19 of these debut galleries hailed from Brazil. This influx underscored the rise of the region as a vital force in shaping contemporary art on a global scale.

“This year’s fair is a testament to art’s unique ability to connect and communicate across geographical and cultural boundaries,” remarked Bridget Finn, highlighting the importance of showcasing diverse artistic voices.

#### Bridget Finn’s Vision: A New Chapter

In her inaugural year as director, Bridget Finn made waves by introducing transformative changes that aimed to enhance the fair’s accessibility and artistic depth. Before assuming her role at Art Basel, Finn co-founded the Detroit-based gallery Reyes | Finn, bringing a wealth of experience and fresh ideas to the table.

One of Finn’s standout initiatives was the reimagining of Meridians, the section dedicated to large-scale and immersive works. Her focus on experimentation and interactivity created a platform for works that demanded deeper engagement from the audience. Another notable update was a new booth format specifically tailored for smaller galleries, giving younger voices an opportunity to shine among industry giants.

“My goal is to create a space for discovery, where artists and galleries of all scales can engage in meaningful dialogue,” said Finn. Her approach resonated throughout the fair’s layout and programming, striking a delicate balance between offering high-profile presentations and championing emerging talent.

#### Market Highlights and Collector Trends

Despite broader challenges in the art market, Art Basel Miami Beach 2024 delivered impressive sales and reinforced its resilience. Among the standout transactions, David Hammons’s *Untitled (2014)* sold for $4.75 million via Hauser & Wirth, while Yayoi Kusama’s *INFINITY-NETS [XSHTQ]* achieved $3.5 million through David Zwirner. Georg Baselitz’s *Dresdner Frauen – Die Elbe (1990/2023)* added to this list, selling for $2.64 million via Thaddaeus Ropac.

Collectors, however, appeared increasingly drawn to mid-range pieces, particularly those exploring cultural narratives and global themes. Works in the five- to six-figure range by mid-career and emerging artists gained considerable traction, reflecting a shift toward inclusivity and diversity in collecting practices.

#### Moments of Impact Beyond the Sales

Beyond the numbers, Art Basel Miami Beach 2024 delivered powerful moments that celebrated cultural and institutional impact. Miami’s Legacy Purchase Program, for instance, acquired *Nina Surel’s* ceramic installation, demonstrating the city’s commitment to supporting both local and global artists. Additionally, leading galleries such as White Cube, Pace, and Lisson impressed with bold curatorial directions, reaffirming their status as key players in the art world.

Finn’s revamped Meridians section also stole the spotlight, featuring oversized and innovative installations that expanded traditional definitions of art. Projects that incorporated unique materials, interactive elements, and compelling narratives further solidified the fair as a space for discovery and dialogue.

#### A Statement on the Power of Art

Art Basel Miami Beach 2024 was more than an exhibition—it was a reflection of art’s enduring ability to adapt, inspire, and unite during times of uncertainty. Bridget Finn’s first year at the helm demonstrated the transformative potential of inclusive leadership. From the burgeoning influence of Brazilian galleries to the strategic focus on emerging voices, the fair suggested a promising path forward for an evolving art world.

As the curtain closed on this year’s event, one thing was clear: Art Basel Miami Beach continues to be more than an art fair. It’s a global stage for creative expression, a marketplace for innovation, and a powerful catalyst for cultural connections. In the words of its director, “Art’s ability to communicate across boundaries is its greatest strength.” And, true to that mission, 2024 was nothing short of inspiring.

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The evening unfolded like a scene lifted from one of Faena’s own dreamlike productions. Grace Faena welcomed Vogue100 beneath the watchful presence of Damien Hirst’s monumental, gold-toned woolly mammoth skeleton, sealed inside its glass enclosure. As daylight softened over Mid Beach, guests drifted onto the palm-lined lawn of the Faena Hotel Miami Beach—the crown jewel of the Faena District and, as founder Alan Faena often describes it, “a total work of art.” The gathering served as a final toast to Miami Art Basel, blending sunset cocktails with an elegant dinner in the open air. With glasses of Ruinart raised high, attendees celebrated Grace Faena—designer and creative force behind the hotel’s Big Bang Boutique—as she greeted Vogue100 members and thanked them for joining her “at home on such a meaningful weekend.” The mammoth’s illuminated bones shimmered behind her as she appeared in a flowing halter and skirt rendered in molten gold, a striking ensemble of her own creation that reflected the warm glow of the evening. Stretching across the garden, a single elongated dining table anchored the scene. Christofle china edged in gold, polished silverware, and ornate candelabras created a luminous tablescape, softened by compact arrangements of roses tucked into silver julep cups. Above, strands of café lights threaded through the palms, transforming the tropical lawn into an intimate, candlelit salon. In the distance, Es Devlin’s Library of Us—a towering, rotating triangular structure filled with thousands of books—caught the light along Faena Beach. Installed for Art Basel and commissioned by Faena Art, the work functioned both as an outdoor reading space and a symbolic lighthouse for the district, underscoring the hotel’s commitment to cultural life beyond its walls. As dinner began, servers circulated with vibrant plates of pink grapefruit and orange salad coated in a glossy citrus vinaigrette, followed by yellowfin tuna tartare and empanadas emerging hot from the wood oven. From the copper grill came a generous parrillada: skirt steak, branzino, chicken, and chorizo, paired with bowls of chimichurri, criolla sauce, and garlic aioli. Champagne flowed freely as conversations meandered from standout artworks to fashion highlights and fair favorites. Grace Faena’s gold gown shimmered with every movement as she spoke with Daniela Botero Saunders, who wore a gleaming silver look of her own. Together, they reflected on Miami’s creative spirit and the reasons they chose to build their lives and raise their families in the city, while Saunders’s husband, Brent, nodded along. The mood grew even warmer when Faena’s mother, Monica Goldsmith, stopped by the table to greet guests—her presence lending the evening the intimacy of a family gathering rather than a hotel affair. Alan Faena soon joined the scene, impeccably dressed in cream silk and his trademark white hat. He spoke about the hotel’s art-driven philosophy and Miami’s role as a crossroads of cultures. Creating meaningful experiences for the city and its people, he said, is at the heart of Faena’s mission. “It’s a blessing to create emotions and reactions,” he reflected, adding that while he once thought of Miami as transient, the city ultimately gave him a home, a family, and—gesturing toward Grace—“a superstar.” Further proof of the night’s magnetic pull came with the arrival of DJ and producer Diplo, who stopped in to greet the hostess and quickly struck up a connection with fashion designer Jennifer “JJ” Lee. He even tried on her hand-embroidered crimson sequin Esque/By Dragon blazer, while Lee stood beside him in a red fringe gown, clearly pleased with the pairing. As the evening drew to a close, Grace Faena took the floor once more, expressing her gratitude to Vogue100. Curious about the group that had gathered around her table, she passed the microphone from guest to guest, inviting stories and reflections. What followed were shared memories of friendships formed, fashion moments cherished, and front-row experiences that spanned years. By the final clink of glasses, Vogue100 had become part of Faena’s ever-expanding cultural universe—suspended somewhere between Damien Hirst’s glowing mammoth in the garden and Es Devlin’s Library of Us slowly turning by the sea. It was a poetic and resonant finale to Miami Art Basel.

The evening unfolded like a scene lifted from one of Faena’s own

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The evening unfolded like a scene lifted from one of Faena’s own dreamlike productions. Grace Faena welcomed Vogue100 beneath the watchful presence of Damien Hirst’s monumental, gold-toned woolly mammoth skeleton, sealed inside its glass enclosure. As daylight softened over Mid Beach, guests drifted onto the palm-lined lawn of the Faena Hotel Miami Beach—the crown jewel of the Faena District and, as founder Alan Faena often describes it, “a total work of art.” The gathering served as a final toast to Miami Art Basel, blending sunset cocktails with an elegant dinner in the open air. With glasses of Ruinart raised high, attendees celebrated Grace Faena—designer and creative force behind the hotel’s Big Bang Boutique—as she greeted Vogue100 members and thanked them for joining her “at home on such a meaningful weekend.” The mammoth’s illuminated bones shimmered behind her as she appeared in a flowing halter and skirt rendered in molten gold, a striking ensemble of her own creation that reflected the warm glow of the evening. Stretching across the garden, a single elongated dining table anchored the scene. Christofle china edged in gold, polished silverware, and ornate candelabras created a luminous tablescape, softened by compact arrangements of roses tucked into silver julep cups. Above, strands of café lights threaded through the palms, transforming the tropical lawn into an intimate, candlelit salon. In the distance, Es Devlin’s Library of Us—a towering, rotating triangular structure filled with thousands of books—caught the light along Faena Beach. Installed for Art Basel and commissioned by Faena Art, the work functioned both as an outdoor reading space and a symbolic lighthouse for the district, underscoring the hotel’s commitment to cultural life beyond its walls. As dinner began, servers circulated with vibrant plates of pink grapefruit and orange salad coated in a glossy citrus vinaigrette, followed by yellowfin tuna tartare and empanadas emerging hot from the wood oven. From the copper grill came a generous parrillada: skirt steak, branzino, chicken, and chorizo, paired with bowls of chimichurri, criolla sauce, and garlic aioli. Champagne flowed freely as conversations meandered from standout artworks to fashion highlights and fair favorites. Grace Faena’s gold gown shimmered with every movement as she spoke with Daniela Botero Saunders, who wore a gleaming silver look of her own. Together, they reflected on Miami’s creative spirit and the reasons they chose to build their lives and raise their families in the city, while Saunders’s husband, Brent, nodded along. The mood grew even warmer when Faena’s mother, Monica Goldsmith, stopped by the table to greet guests—her presence lending the evening the intimacy of a family gathering rather than a hotel affair. Alan Faena soon joined the scene, impeccably dressed in cream silk and his trademark white hat. He spoke about the hotel’s art-driven philosophy and Miami’s role as a crossroads of cultures. Creating meaningful experiences for the city and its people, he said, is at the heart of Faena’s mission. “It’s a blessing to create emotions and reactions,” he reflected, adding that while he once thought of Miami as transient, the city ultimately gave him a home, a family, and—gesturing toward Grace—“a superstar.” Further proof of the night’s magnetic pull came with the arrival of DJ and producer Diplo, who stopped in to greet the hostess and quickly struck up a connection with fashion designer Jennifer “JJ” Lee. He even tried on her hand-embroidered crimson sequin Esque/By Dragon blazer, while Lee stood beside him in a red fringe gown, clearly pleased with the pairing. As the evening drew to a close, Grace Faena took the floor once more, expressing her gratitude to Vogue100. Curious about the group that had gathered around her table, she passed the microphone from guest to guest, inviting stories and reflections. What followed were shared memories of friendships formed, fashion moments cherished, and front-row experiences that spanned years. By the final clink of glasses, Vogue100 had become part of Faena’s ever-expanding cultural universe—suspended somewhere between Damien Hirst’s glowing mammoth in the garden and Es Devlin’s Library of Us slowly turning by the sea. It was a poetic and resonant finale to Miami Art Basel.

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