A Cinematic Night: Coach Celebrated Elle Fanning and her Golden Globe-nominated Turn in Sentimental Value

By Tuesday night, Elle Fanning was still riding the momentum of a remarkable few days. The week had kicked off early Monday morning—just after 5:30 a.m.—when she discovered she’d earned a Golden Globe nomination for her performance in Sentimental Value. “My phone wasn’t even ringing,” Fanning recalled to Vogue. “I turned over in bed, saw all these messages, and thought, ‘Why do I have so many texts?’ When I saw people saying ‘Congratulations,’ I knew something good had happened.” To keep the celebratory energy alive, Coach hosted a private dinner and screening of the film at San Vicente Bungalows in West Hollywood.

Although Fanning admitted she would have eagerly signed on to any project directed by Joachim Trier, she said the role of Hollywood actress Rachel Kemp resonated with her immediately. “There’s a lot of overlap between us,” she explained. “There’s also this meta element—she’s an actress traveling to Norway to work with a Norwegian director, which was exactly my own experience.”

Her biggest supporter, older sister Dakota Fanning, arrived at the exclusive venue wearing a black leather Coach blazer paired with a short-sleeved maxi dress. She beamed with pride throughout the evening. “During a group interview, Elle started crying because she was talking about me watching the movie—and how I was crying while watching it,” Dakota shared with a laugh. “She could do absolutely anything and I’d be impressed. But it also helps that she truly is incredible.”

While guests watched the screening upstairs, Elle lingered below, chatting with Vogue and glowing with excitement knowing many of her close friends were seeing the film for the first time. By 8 p.m., the candlelit dining space began to fill with a dynamic mix of young Hollywood talent, including Storm Reid, Iris Apatow, Maddie Ziegler, Natalia Bryant, The Pitt’s Supriya Ganesh, and Tell Me Lies actress Sonia Mena.

Cocktails set the tone—spicy margaritas, classic martinis, and a refreshing non-alcoholic cucumber-mint spritz circulated from the bar—prompting guests to cluster into intimate groups. Maddie Ziegler caught up with model Charlotte D’Alessio in one corner, while nearby Josh Hutcherson and his girlfriend Claudia Traisac chatted with Coach creative director Stuart Vevers. Elsewhere, Iris Apatow and her boyfriend Sam Nivola, fresh off the latest season of The White Lotus, mingled with Fanning, who made a point to personally greet everyone in attendance.

Storm Reid arrived with her mother as her guest, dressed in a distressed sweater vest and relaxed plaid trousers. As a Coach ambassador, the Euphoria actress spoke emotionally about the film after the screening. “It was incredibly powerful,” she said. “I was holding my breath by the end. It handled themes of mental health, identity, and belonging so beautifully—especially what it means to exist in a family that doesn’t fit a traditional mold, or in a world that doesn’t quite feel built for you.”

The celebration held special significance for Fanning, whose relationship with Coach has grown steadily through campaigns and creative collaborations. “I feel so fortunate to work with the brand,” she said. “Stuart is generous, imaginative, and deeply collaborative.” That partnership extended to her look for the evening. After attending Coach’s Spring 2026 show—where T-shirt dresses featured skylines of cities like New York, Los Angeles, and Seattle—Fanning asked for the same silhouette in pale pink, customized with an Oslo skyline in homage to the film.

Dinner reflected Coach’s signature aesthetic: red floral centerpieces paired with brown leather placemats lined the long table. As guests took their seats, Fanning found herself between Vevers and Dakota. “I just want to express how thankful I am for the artistry you bring into the Coach universe,” Vevers said, raising a toast as plates of baked branzino al limone, grilled chicken paillard, and squash pomodoro were served. Dessert followed—warm chocolate chip cookies and bowls of mixed berries—before guests were surprised with a final indulgence: a Coach Tabby bag of their choosing, rounding out an effortlessly stylish night at the movies.

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Jojo Korsh/BFA.com

Dakota Fanning, Stuart Vevers

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The evening unfolded like a scene lifted from one of Faena’s own dreamlike productions. Grace Faena welcomed Vogue100 beneath the watchful presence of Damien Hirst’s monumental, gold-toned woolly mammoth skeleton, sealed inside its glass enclosure. As daylight softened over Mid Beach, guests drifted onto the palm-lined lawn of the Faena Hotel Miami Beach—the crown jewel of the Faena District and, as founder Alan Faena often describes it, “a total work of art.” The gathering served as a final toast to Miami Art Basel, blending sunset cocktails with an elegant dinner in the open air. With glasses of Ruinart raised high, attendees celebrated Grace Faena—designer and creative force behind the hotel’s Big Bang Boutique—as she greeted Vogue100 members and thanked them for joining her “at home on such a meaningful weekend.” The mammoth’s illuminated bones shimmered behind her as she appeared in a flowing halter and skirt rendered in molten gold, a striking ensemble of her own creation that reflected the warm glow of the evening. Stretching across the garden, a single elongated dining table anchored the scene. Christofle china edged in gold, polished silverware, and ornate candelabras created a luminous tablescape, softened by compact arrangements of roses tucked into silver julep cups. Above, strands of café lights threaded through the palms, transforming the tropical lawn into an intimate, candlelit salon. In the distance, Es Devlin’s Library of Us—a towering, rotating triangular structure filled with thousands of books—caught the light along Faena Beach. Installed for Art Basel and commissioned by Faena Art, the work functioned both as an outdoor reading space and a symbolic lighthouse for the district, underscoring the hotel’s commitment to cultural life beyond its walls. As dinner began, servers circulated with vibrant plates of pink grapefruit and orange salad coated in a glossy citrus vinaigrette, followed by yellowfin tuna tartare and empanadas emerging hot from the wood oven. From the copper grill came a generous parrillada: skirt steak, branzino, chicken, and chorizo, paired with bowls of chimichurri, criolla sauce, and garlic aioli. Champagne flowed freely as conversations meandered from standout artworks to fashion highlights and fair favorites. Grace Faena’s gold gown shimmered with every movement as she spoke with Daniela Botero Saunders, who wore a gleaming silver look of her own. Together, they reflected on Miami’s creative spirit and the reasons they chose to build their lives and raise their families in the city, while Saunders’s husband, Brent, nodded along. The mood grew even warmer when Faena’s mother, Monica Goldsmith, stopped by the table to greet guests—her presence lending the evening the intimacy of a family gathering rather than a hotel affair. Alan Faena soon joined the scene, impeccably dressed in cream silk and his trademark white hat. He spoke about the hotel’s art-driven philosophy and Miami’s role as a crossroads of cultures. Creating meaningful experiences for the city and its people, he said, is at the heart of Faena’s mission. “It’s a blessing to create emotions and reactions,” he reflected, adding that while he once thought of Miami as transient, the city ultimately gave him a home, a family, and—gesturing toward Grace—“a superstar.” Further proof of the night’s magnetic pull came with the arrival of DJ and producer Diplo, who stopped in to greet the hostess and quickly struck up a connection with fashion designer Jennifer “JJ” Lee. He even tried on her hand-embroidered crimson sequin Esque/By Dragon blazer, while Lee stood beside him in a red fringe gown, clearly pleased with the pairing. As the evening drew to a close, Grace Faena took the floor once more, expressing her gratitude to Vogue100. Curious about the group that had gathered around her table, she passed the microphone from guest to guest, inviting stories and reflections. What followed were shared memories of friendships formed, fashion moments cherished, and front-row experiences that spanned years. By the final clink of glasses, Vogue100 had become part of Faena’s ever-expanding cultural universe—suspended somewhere between Damien Hirst’s glowing mammoth in the garden and Es Devlin’s Library of Us slowly turning by the sea. It was a poetic and resonant finale to Miami Art Basel.

The evening unfolded like a scene lifted from one of Faena’s own

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The evening unfolded like a scene lifted from one of Faena’s own dreamlike productions. Grace Faena welcomed Vogue100 beneath the watchful presence of Damien Hirst’s monumental, gold-toned woolly mammoth skeleton, sealed inside its glass enclosure. As daylight softened over Mid Beach, guests drifted onto the palm-lined lawn of the Faena Hotel Miami Beach—the crown jewel of the Faena District and, as founder Alan Faena often describes it, “a total work of art.” The gathering served as a final toast to Miami Art Basel, blending sunset cocktails with an elegant dinner in the open air. With glasses of Ruinart raised high, attendees celebrated Grace Faena—designer and creative force behind the hotel’s Big Bang Boutique—as she greeted Vogue100 members and thanked them for joining her “at home on such a meaningful weekend.” The mammoth’s illuminated bones shimmered behind her as she appeared in a flowing halter and skirt rendered in molten gold, a striking ensemble of her own creation that reflected the warm glow of the evening. Stretching across the garden, a single elongated dining table anchored the scene. Christofle china edged in gold, polished silverware, and ornate candelabras created a luminous tablescape, softened by compact arrangements of roses tucked into silver julep cups. Above, strands of café lights threaded through the palms, transforming the tropical lawn into an intimate, candlelit salon. In the distance, Es Devlin’s Library of Us—a towering, rotating triangular structure filled with thousands of books—caught the light along Faena Beach. Installed for Art Basel and commissioned by Faena Art, the work functioned both as an outdoor reading space and a symbolic lighthouse for the district, underscoring the hotel’s commitment to cultural life beyond its walls. As dinner began, servers circulated with vibrant plates of pink grapefruit and orange salad coated in a glossy citrus vinaigrette, followed by yellowfin tuna tartare and empanadas emerging hot from the wood oven. From the copper grill came a generous parrillada: skirt steak, branzino, chicken, and chorizo, paired with bowls of chimichurri, criolla sauce, and garlic aioli. Champagne flowed freely as conversations meandered from standout artworks to fashion highlights and fair favorites. Grace Faena’s gold gown shimmered with every movement as she spoke with Daniela Botero Saunders, who wore a gleaming silver look of her own. Together, they reflected on Miami’s creative spirit and the reasons they chose to build their lives and raise their families in the city, while Saunders’s husband, Brent, nodded along. The mood grew even warmer when Faena’s mother, Monica Goldsmith, stopped by the table to greet guests—her presence lending the evening the intimacy of a family gathering rather than a hotel affair. Alan Faena soon joined the scene, impeccably dressed in cream silk and his trademark white hat. He spoke about the hotel’s art-driven philosophy and Miami’s role as a crossroads of cultures. Creating meaningful experiences for the city and its people, he said, is at the heart of Faena’s mission. “It’s a blessing to create emotions and reactions,” he reflected, adding that while he once thought of Miami as transient, the city ultimately gave him a home, a family, and—gesturing toward Grace—“a superstar.” Further proof of the night’s magnetic pull came with the arrival of DJ and producer Diplo, who stopped in to greet the hostess and quickly struck up a connection with fashion designer Jennifer “JJ” Lee. He even tried on her hand-embroidered crimson sequin Esque/By Dragon blazer, while Lee stood beside him in a red fringe gown, clearly pleased with the pairing. As the evening drew to a close, Grace Faena took the floor once more, expressing her gratitude to Vogue100. Curious about the group that had gathered around her table, she passed the microphone from guest to guest, inviting stories and reflections. What followed were shared memories of friendships formed, fashion moments cherished, and front-row experiences that spanned years. By the final clink of glasses, Vogue100 had become part of Faena’s ever-expanding cultural universe—suspended somewhere between Damien Hirst’s glowing mammoth in the garden and Es Devlin’s Library of Us slowly turning by the sea. It was a poetic and resonant finale to Miami Art Basel.

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