Art Basel Miami Beach 2024: Final Sales Report

**Art Basel Miami Beach 2024: A Celebration of Art, Culture, and Connection**

Art Basel Miami Beach 2024 has reaffirmed its position as one of the art world’s premier events. Held from December 5 to 9, 2024, this year’s edition brought together a diverse mix of creativity, commerce, and cultural exchange. Steered by its new director, Bridget Finn, the fair achieved an impressive milestone, attracting over 75,000 attendees from across the globe. Finn’s vision fostered an environment where art transcended borders, setting the tone for a dynamic and impactful celebration.

### **An Artistic Showcase with a Focus on the Americas**

This year’s Art Basel featured a record-breaking 286 galleries representing 38 countries, with a notable emphasis on the Americas. Galleries from the region made up two-thirds of the total, highlighting the continent’s growing influence on the global art scene. Finn, in her first year at the helm, emphasized inclusivity and diversity, stating, *“This edition is a testament to the enduring dynamism of the Americas in the global art ecosystem.”*

The guest list underscored the fair’s prestige, with over 230 museums and foundations—such as the Tate, MoMA, and Fondation Beyeler—scouting the exhibition for acquisitions. Their involvement reinforced Art Basel’s reputation as a crucial hub for building connections and shaping institutional collections that resonate globally.

### **Masters and Modern Talent in the Spotlight**

The fair seamlessly bridged the gap between artistic masters and emerging creators. Iconic figures like Pablo Picasso, Keith Haring, and Gerhard Richter shared the spotlight with contemporary voices such as Wangechi Mutu, Kara Walker, and Cecily Brown. This interplay demonstrated the fair’s commitment to championing a broad spectrum of artistic expression.

Curated sectors like **Kabinett**, **Meridians**, and **Survey** stood out for their innovative approaches. These sections spotlighted underrepresented voices and tackled pressing social issues, offering immersive experiences that transcended traditional exhibition formats. They served as powerful reminders of art’s ability to reflect and challenge societal norms.

### **Record Sales and Market Momentum**

The buzz surrounding Art Basel Miami Beach wasn’t just about its artistic brilliance—it was also fueled by its exceptional sales. Among the highlights was the sale of Richard Prince’s *Harbor Nurse* (2003) for a staggering USD 4.5 million by Gladstone Gallery. Other noteworthy transactions included Mark Ryden’s *Regina Terra*, which fetched USD 1.5 million at Kasmin Gallery, and an Anish Kapoor work sold for GBP 775,000 through Lisson Gallery.

Howardena Pindell’s large-scale paintings exceeded USD 950,000, further validating the market’s growing recognition of historically overlooked artists. Emerging talents, like Nathaniel Mary Quinn, also commanded attention, with works selling in the USD 130,000–150,000 range. These robust sales underscored the fair’s role not only as a cultural nexus but also as a vibrant market space for both established and emerging artists.

### **Resilience in a Post-Pandemic World**

Art Basel Miami Beach 2024 was a testament to the adaptability and resilience of the global art community. In the wake of pandemic-related challenges, the fair’s packed halls and record-breaking sales highlighted the industry’s renewed vigor. High-profile institutions used the event as a critical opportunity to acquire works that bridged contemporary social concerns with historical significance, creating collections that resonate in today’s cultural landscape.

### **A Bright Future for Art Basel**

This year’s edition has once again proven that Art Basel Miami Beach is more than an art fair—it is a cornerstone of the global art calendar, bridging cultures, fostering creativity, and forging meaningful connections across the art world. Under Bridget Finn’s leadership, the 2024 fair set a new benchmark for inclusivity, artistic diversity, and cultural exchange.

As Finn aptly described it, *“This fair has shown that the connections between artists, collectors, and institutions are deeper than ever, and it’s thrilling to see how those bonds spark creativity and collaboration in such a profound way.”*

As we reflect on a week filled with groundbreaking sales, thought-provoking exhibitions, and exciting emerging talent, it’s impossible not to look forward to what Art Basel Miami Beach 2025 will bring. For now, the 2024 edition stands as a vivid reminder of art’s ability to unite and inspire in an ever-evolving world.

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The evening unfolded like a scene lifted from one of Faena’s own dreamlike productions. Grace Faena welcomed Vogue100 beneath the watchful presence of Damien Hirst’s monumental, gold-toned woolly mammoth skeleton, sealed inside its glass enclosure. As daylight softened over Mid Beach, guests drifted onto the palm-lined lawn of the Faena Hotel Miami Beach—the crown jewel of the Faena District and, as founder Alan Faena often describes it, “a total work of art.” The gathering served as a final toast to Miami Art Basel, blending sunset cocktails with an elegant dinner in the open air. With glasses of Ruinart raised high, attendees celebrated Grace Faena—designer and creative force behind the hotel’s Big Bang Boutique—as she greeted Vogue100 members and thanked them for joining her “at home on such a meaningful weekend.” The mammoth’s illuminated bones shimmered behind her as she appeared in a flowing halter and skirt rendered in molten gold, a striking ensemble of her own creation that reflected the warm glow of the evening. Stretching across the garden, a single elongated dining table anchored the scene. Christofle china edged in gold, polished silverware, and ornate candelabras created a luminous tablescape, softened by compact arrangements of roses tucked into silver julep cups. Above, strands of café lights threaded through the palms, transforming the tropical lawn into an intimate, candlelit salon. In the distance, Es Devlin’s Library of Us—a towering, rotating triangular structure filled with thousands of books—caught the light along Faena Beach. Installed for Art Basel and commissioned by Faena Art, the work functioned both as an outdoor reading space and a symbolic lighthouse for the district, underscoring the hotel’s commitment to cultural life beyond its walls. As dinner began, servers circulated with vibrant plates of pink grapefruit and orange salad coated in a glossy citrus vinaigrette, followed by yellowfin tuna tartare and empanadas emerging hot from the wood oven. From the copper grill came a generous parrillada: skirt steak, branzino, chicken, and chorizo, paired with bowls of chimichurri, criolla sauce, and garlic aioli. Champagne flowed freely as conversations meandered from standout artworks to fashion highlights and fair favorites. Grace Faena’s gold gown shimmered with every movement as she spoke with Daniela Botero Saunders, who wore a gleaming silver look of her own. Together, they reflected on Miami’s creative spirit and the reasons they chose to build their lives and raise their families in the city, while Saunders’s husband, Brent, nodded along. The mood grew even warmer when Faena’s mother, Monica Goldsmith, stopped by the table to greet guests—her presence lending the evening the intimacy of a family gathering rather than a hotel affair. Alan Faena soon joined the scene, impeccably dressed in cream silk and his trademark white hat. He spoke about the hotel’s art-driven philosophy and Miami’s role as a crossroads of cultures. Creating meaningful experiences for the city and its people, he said, is at the heart of Faena’s mission. “It’s a blessing to create emotions and reactions,” he reflected, adding that while he once thought of Miami as transient, the city ultimately gave him a home, a family, and—gesturing toward Grace—“a superstar.” Further proof of the night’s magnetic pull came with the arrival of DJ and producer Diplo, who stopped in to greet the hostess and quickly struck up a connection with fashion designer Jennifer “JJ” Lee. He even tried on her hand-embroidered crimson sequin Esque/By Dragon blazer, while Lee stood beside him in a red fringe gown, clearly pleased with the pairing. As the evening drew to a close, Grace Faena took the floor once more, expressing her gratitude to Vogue100. Curious about the group that had gathered around her table, she passed the microphone from guest to guest, inviting stories and reflections. What followed were shared memories of friendships formed, fashion moments cherished, and front-row experiences that spanned years. By the final clink of glasses, Vogue100 had become part of Faena’s ever-expanding cultural universe—suspended somewhere between Damien Hirst’s glowing mammoth in the garden and Es Devlin’s Library of Us slowly turning by the sea. It was a poetic and resonant finale to Miami Art Basel.

The evening unfolded like a scene lifted from one of Faena’s own

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The evening unfolded like a scene lifted from one of Faena’s own dreamlike productions. Grace Faena welcomed Vogue100 beneath the watchful presence of Damien Hirst’s monumental, gold-toned woolly mammoth skeleton, sealed inside its glass enclosure. As daylight softened over Mid Beach, guests drifted onto the palm-lined lawn of the Faena Hotel Miami Beach—the crown jewel of the Faena District and, as founder Alan Faena often describes it, “a total work of art.” The gathering served as a final toast to Miami Art Basel, blending sunset cocktails with an elegant dinner in the open air. With glasses of Ruinart raised high, attendees celebrated Grace Faena—designer and creative force behind the hotel’s Big Bang Boutique—as she greeted Vogue100 members and thanked them for joining her “at home on such a meaningful weekend.” The mammoth’s illuminated bones shimmered behind her as she appeared in a flowing halter and skirt rendered in molten gold, a striking ensemble of her own creation that reflected the warm glow of the evening. Stretching across the garden, a single elongated dining table anchored the scene. Christofle china edged in gold, polished silverware, and ornate candelabras created a luminous tablescape, softened by compact arrangements of roses tucked into silver julep cups. Above, strands of café lights threaded through the palms, transforming the tropical lawn into an intimate, candlelit salon. In the distance, Es Devlin’s Library of Us—a towering, rotating triangular structure filled with thousands of books—caught the light along Faena Beach. Installed for Art Basel and commissioned by Faena Art, the work functioned both as an outdoor reading space and a symbolic lighthouse for the district, underscoring the hotel’s commitment to cultural life beyond its walls. As dinner began, servers circulated with vibrant plates of pink grapefruit and orange salad coated in a glossy citrus vinaigrette, followed by yellowfin tuna tartare and empanadas emerging hot from the wood oven. From the copper grill came a generous parrillada: skirt steak, branzino, chicken, and chorizo, paired with bowls of chimichurri, criolla sauce, and garlic aioli. Champagne flowed freely as conversations meandered from standout artworks to fashion highlights and fair favorites. Grace Faena’s gold gown shimmered with every movement as she spoke with Daniela Botero Saunders, who wore a gleaming silver look of her own. Together, they reflected on Miami’s creative spirit and the reasons they chose to build their lives and raise their families in the city, while Saunders’s husband, Brent, nodded along. The mood grew even warmer when Faena’s mother, Monica Goldsmith, stopped by the table to greet guests—her presence lending the evening the intimacy of a family gathering rather than a hotel affair. Alan Faena soon joined the scene, impeccably dressed in cream silk and his trademark white hat. He spoke about the hotel’s art-driven philosophy and Miami’s role as a crossroads of cultures. Creating meaningful experiences for the city and its people, he said, is at the heart of Faena’s mission. “It’s a blessing to create emotions and reactions,” he reflected, adding that while he once thought of Miami as transient, the city ultimately gave him a home, a family, and—gesturing toward Grace—“a superstar.” Further proof of the night’s magnetic pull came with the arrival of DJ and producer Diplo, who stopped in to greet the hostess and quickly struck up a connection with fashion designer Jennifer “JJ” Lee. He even tried on her hand-embroidered crimson sequin Esque/By Dragon blazer, while Lee stood beside him in a red fringe gown, clearly pleased with the pairing. As the evening drew to a close, Grace Faena took the floor once more, expressing her gratitude to Vogue100. Curious about the group that had gathered around her table, she passed the microphone from guest to guest, inviting stories and reflections. What followed were shared memories of friendships formed, fashion moments cherished, and front-row experiences that spanned years. By the final clink of glasses, Vogue100 had become part of Faena’s ever-expanding cultural universe—suspended somewhere between Damien Hirst’s glowing mammoth in the garden and Es Devlin’s Library of Us slowly turning by the sea. It was a poetic and resonant finale to Miami Art Basel.

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